Take a walk through the the exhibition…   From the Curator, Grace Marie DeWitt

Behind The Lens Plus: Expanded

The world has always questioned the presence of women: the mere existence of Women’s History Month and the 19th Amendment confirm this. In such a world, the act of photography by women is a necessary form of self-preservation, and an undeniable proclamation of witness.

Behind The Lens Plus features a collection of photographic work submitted by women around the world online through a free, open, and non-thematic call. Far from exhaustive or conclusive, the project strives to present just one collective of women who are building an archive for themselves, through the reclaiming act of visual documentation.

The original online component of this project featured a selection process and subsequent essays. This writing was a labor of love to celebrate strong work, but it was also the product of one individual’s visceral response.

Now, the in-gallery exhibition for Behind The Lens Plus is a due and deserved chance to honor every person who shared their world with this project. It materializes the paper and pixel trail of things that this group of women––from innumerable places, histories, and identities––have deemed worthy of immortalization. It commits to memory what was gathered in this project and held close in these photographs, during a period of time that repressed those exact acts.

Whether in-person or online, I hope you can connect or reflect with any number of works shown in this installation––and, I also hope a bit more bravely that Behind The Lens Plus can attest to the infinite volume of photographs by women which merit our close- and slow-looking.

Thank you.

Grace Marie DeWitt

 

About the Juror: Grace Marie DeWitt (she/her/hers) is one of the exhibiting artists in Behind The Lens 2020: Women in Photography, RICPA’s in-gallery companion exhibition to Behind The Lens Plus. DeWitt is a Maryland-based interdisciplinary artist, and works in national and international programs at the National Museum of Women in the Arts in Washington, D.C.

 

Behind the Lens Plus: Expanded  Revisiting an Online Exhibition Series in the Gallery

Exhibition: Thursday, March 18th, thru Tuesday, April 13 Reception: March 25th, 2:00 – 8:00 p.m. Featuring work submitted by: Karyna Asanova, Catalina Aranguren, Mayomi Basnayaka, Chelsea Bradway, Susan Carr, Loredana Celano, Jo Ann Chaus, Alexis Childress, Jaina Cipriano, Julianne Clark, Dawn Colsia, Frijke Coumans, Yvonne Dalschen, Rossella Damiani, Cynthia DiDonato, Sharon Draghi, Jan Ekin, Xiomara España, Onyinye Ezennia, Millicent Fambrough, Rhona Fraser, Beth Ferraro, Kayla Guajardo, Claudia Ruiz Gustafson, Casey Hill, Emma Hodge, I-Lun Huang, Gina M Kane, Işık Kaya, Danielle Khoury, Sandra Klein, Susan Lapides, Anna Latino, Hannah Latham, J. K. Lavin, Susan T. Landry, Pat Littlefield, Mary McGrath, Denise Marcotte, Vicky Martin, Caroline McAleer, Jennifer Bolig Martirano, Laurie McGowan, Lisa Morales, Diana Cheren Nygren, Karen Olson, Ayoola Omovo, Kayla O’Neal, Savanah Pennell, Camila Espinoza Petermann, Courtney Pitts, Chandler Price, Shalini Ray, Melinda Gribko-Reyes, Gail Rousseau, Angelina Ruiz, Samantha Sadik, Tehreem Saleem, Patricia Scialo, Janina Schindler, Devisha Shah, Laurène Southe, Shelby Swann, Janet Testoni, Adriana G. Torres, Lucy Wald, Taylor Yingshi Wang, Karin Forde Whittemore, Vicki Windman, Matiyshenko Yelyzaveta & Antonenko Yiulya
 

‘Behind The Lens Plus’ Collection 1:

Click the link above to read about work from…

THIS IS A GOOD KISSING SPOT by Frijke Coumans ––– a cold but sunny, and sterile yet sensual, snapshot of the photographer’s greatest muse: the twin manifestation of control and desire.

Amanda & Olivia by Xiomara España ––– a gossamer-fine gesture of social harmony, concluding a photo shoot of two young but well-overlapped lives.

Untitled by Jan Ekin, from the photographic book Abstracts ––– a macro landscape that the photographer captured through her visually segmented world, helping us believe that the parts are sometimes as important as the whole.

María by Claudia Ruiz Gustafson, from the series Historias fragmentadas ––– one moment in an exercise of longing and imagination, in which the photographer attempts to connect with the live-in maid from her childhood home whose current location and even last name remain unknown.

‘Behind The Lens Plus’ Collection 2:

Click the link above to read about work from…

at the lake by Catalina Aranguren ––– the photographic equivalent of a quilt: a collection of the patterns, movements, and textures that make up this single, multifaceted life.

Self-portrait with Me #2 by I-Lun Huang, from the series Self-portrait with Me ––– a character study of the dual human psyche: how we can (or cannot) document our impulsive Id with our methodical Ego.

Untitled by Shalini Ray ––– a healing exercise commemorating family history through portraiture, pieced together using inherited objects from the photographer’s late grandfather, outside the home he built.

Haidy by Laurène Southe ––– a grounding and empathetic vignette that models power, resolve, and moxie rather than accessory, fashion, or media.

‘Behind The Lens Plus’ Collection 3:

Click the link above to read about work from…

The Otros Espacios project by Angelina Ruiz –– An investigation of collective memory that uses found and taken portraits to navigate the connections yearned and even shared among those who have never met.

Postcard #2 from the series Nudes by Mayomi Basnayaka ––– Serving as both an act of opposition and an affirmation of beauty, these elegant details of Brown and Black women wearing “nude” garments help to expose the normalization of white bodies and champion the universal right to self-empowerment.

The Second Nature series by Işık Kaya ––– Like a mass-produced painting, or a GMO-drenched rosebush, Second Nature investigates the twisted tendency for humans to trade their imperfect reality in favor of a prettier, simpler, and emptier, world.

Community by BLACKKSWANN –– A record of peaceful protest against anti-Black police brutality in the U.S. which aims to humanize the protester community, fortify Black archives, and appendix the Westernized record of culture and art.

‘Behind The Lens Plus’ Collection 4:

The Fourth Collection was written off due to the unaccountable blocks of time that vanished in the course of 2020 and…  we have sent out search parties and hope to have a status update in the near future. We are working on putting a special presentation together for release as time allows.

‘Behind The Lens Plus’ Collection 5:

Click the link above to read about work from… The Only Known Home from The Stories I Have To Tell series, by Alexis Childress –– A visual testament to the trial of “belonging” within white-washed power structures. Untitled by Kayla Guajardo — A form of visual memoir that helps us cherish quotidian complexities, and muse on things unplanned. Shutters, from the Conversations with Myself series, by Jo Ann Chaus –– One arranged moment in which the photographer fully defers to the inevitable reel of life. Untitled by Taylor Yingshi Wang –– An intuitive endeavor to contain a simple but rich experience, in a single, but still, dimension. We’ll Ride Them Someday from The Laundry Series, by Gail Rousseau –– A serendipitous gift brought about from seeing, and believing in, the extraordinary moments tucked into ordinary life.

About the Juror: Grace Marie DeWitt (she/her/hers) is one of the exhibiting artists in Behind The Lens 2020: Women in Photography, RICPA’s in-gallery companion exhibition to Behind The Lens Plus. DeWitt is a Maryland-based interdisciplinary artist, and works in national and international programs at the National Museum of Women in the Arts in Washington, D.C.

Behind the Lens Plus: Expanded  Revisiting an Online Exhibition Series in the Gallery

Exhibition: Thursday, March 18th, thru Friday, April 13 Reception: March 25h, 2:00 – 8:00 p.m. The RI Center for Photographic Arts, RICPA 118 N. Main St. Providence, RI 02903 Located in the heart of Providence, RICPA was founded to inspire creative development and provide opportunities to engage with the community through exhibitions, education, publication, and mutual support. RICPA exists to create a diverse and supportive community for individuals interested in learning or working in the Photographic Arts. We strive to provide an environment conducive to the free exchange of ideas in an open and cooperative space. Members should share a passion for creating, appreciating, or learning about all forms of photo-based media. We work to provide a platform for artistic expression, that fosters dialogue and drives innovation in the photographic arts. The Gallery at the Rhode Island Center for Photographic Arts is a member of Gallery Night Providence https://www.gallerynight.org/ Questions: Contact gallery@riphotocenter.org  To learn about other RICPA exhibits and programs, visit https://www.riphotocenter.org/.

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